- #INNOCENT BUT NOT GUILTY CROSSWORD MANUAL#
- #INNOCENT BUT NOT GUILTY CROSSWORD FULL#
- #INNOCENT BUT NOT GUILTY CROSSWORD FREE#
“We decided, ‘Hey, let’s leave the Amanda Knox case behind,’” he told Vanity Fair. McCarthy, who also co-wrote the screenplay for Stillwater, has been steadfast in his explanation of his process. Bill’s brand of Americanism – the white, ultra-masculine kind – is in constant opposition to Virginie’s brand of Frenchness – the bohemian, artsy kind. The question of whether Bill is a Trump voter surfaces in a deftly written and surprising scene. Their relationship is a conduit for one of the best explorations of the cultural differences between the US and France seen on screen in recent years. In Marseille, Bill bonds with Virginie, a luminous French theatre actor, and her young daughter Maya. But Stillwater tells a fully fledged story of its own, inviting themes and reflections that postdate Kercher’s murder. The setup is obviously reminiscent of what happened to Knox.
#INNOCENT BUT NOT GUILTY CROSSWORD FREE#
His daughter Allison (Oscar nominee and Little Miss Sunshine alumna Abigail Breslin) has been in prison for five years for a murder she says she didn’t commit, and all Bill wants is for his “little girl” to walk free again.
For most of the film, Bill exhibits a stoic politeness broken only by his refusal to apologise for who he is and what he wants. In other words, he’s a far cry from Knox’s own father Curt, one of her most vocal advocates and a longtime business executive. He’s a man of few words, who answers most questions with a “yes, ma’am” or a “no, ma’am” and wanders the streets of Marseille in work boots and a baseball hat.
#INNOCENT BUT NOT GUILTY CROSSWORD MANUAL#
Bill Baker, Damon’s character, is a manual worker from the city of Stillwater, Oklahoma. I mean… what more do you want in a story?”Īs a work of fiction, Stillwater does a lot to distance itself from its real-life inspirations. It was a particularly gruesome murder: throat slit, semi-naked, blood everywhere. And we have here this beautiful picturesque hilltop town in the middle of Italy. If you’ve watched the 2016 Netflix documentary Amanda Knox, which Knox herself participated in, then you might remember feeling a touch of malaise when journalist Nick Pisa gushed to the camera through chuckles: “A murder always gets people going bit of intrigue, bit of mystery, a whodunit. They dredged up her childhood nickname of “Foxy Knoxy” and turned her into “a figure onto which people could project their fears and fantasies, particularly those surrounding female sexuality”. Tabloids went along for the ride, making her out to be – as Knox put it herself in a 2018 essay for Vice – “a sex-crazed she-devil”. In their case against Knox, prosecutors claimed that Kercher’s murder had been the result of a sex game gone wrong. The reputational damage done to Knox in the process is hard to put into words. She had been sexually assaulted and stabbed to death. Kercher’s body was discovered in her own bedroom. On 2 November 2007, Knox and her then-boyfriend Raffaele Sollecito raised the alert after finding signs of a break-in in Knox’s shared house. One of her flatmates was Kercher, a 21-year-old student from London. She envisioned a future for herself as a translator, possibly a writer. In 2007, Knox, a native of Seattle, Washington, was studying abroad in Perugia, Italy. And it has made Stillwater a complicated case study in the tortuous relationship between Hollywood and the true-crime genre. It’s not an inaccurate description, but it’s an incomplete one.
For convenience, brevity, and efficiency, Stillwater, a drama starring Matt Damon as the father of an imprisoned young American woman studying in Europe, has been described as having been inspired by Knox’s wrongful conviction and hard-earned exoneration following Kercher’s murder. Unfortunately, these aren’t the parts that have been underlined in the film’s marketing materials and promotional interviews.
#INNOCENT BUT NOT GUILTY CROSSWORD FULL#
Stillwater is full of subtle, well-written, and bittersweet moments. Or the 2007 murder of Meredith Kercher, on which the film – as the now-infamous parlance goes – is loosely based. The best scenes in Stillwater aren’t about Amanda Knox.
0 kommentar(er)
